When discussing The Exorcist (1973) last week, we noted how the anxieties of the 1970s (institutions we no longer trust, children who no longer obey parents, etc.) created the societal ingredients for a horror possession film. All the President’s Men (1976) seems worlds apart, yet both movies are about troubled times. In 100 words, comment on one aspect that connects these Washington, DC based films to each other. Try to also stress technical issues. For example you might take up the use of music or close-ups.